Broadcast Cameras & Accessories

Broadcast Cameras & Accessories

• AW-UE160 4K PTZ Camera

  PRODUCT DETAILS

  The AW-UE160 4K PTZ camera features a newly developed 4K 1” MOS sensor that offers the highest sensitivity of Panasonic’s entire PTZ lineup. Production teams shooting in a concert venue or a church can easily capture clear images even in the most challenging lighting conditions. Meanwhile, the UE160’s new optical low pass filter reduces the effect of moiré for clearer picture quality when shooting against an LED wall, which is especially important for rental and staging or worship environments. Its high-speed frame rate will help sports broadcasters capture slow motion shots in HD for replays, while seamless integration with the robotic camera system brings live broadcast-style movements to the PTZ, resulting in a dynamic and highly engaging video production.

• Blackmagic URSA Broadcast G2 4k UHD Cameras w/Fujinon 20x Lens & Fiber Kit

  Specs

  • B4 Lens Mount
  • Standard lens: Fujinon XA20sX8.5BERM-K3 HD lens
  • 6K sensor, (records in 6k, 4k, 1080)

  Use Cases

  • Live Broadcast, iMag, film/TV, ENG
  • Configurable for shoulder or studio use (with available accessories)
  • Configurable for SDI/HDMI or SMPTE Fiber operation

  Available Accessories

  • Fiber Back
  • Fiber Receiver
  • SMPTE Fiber cables (various lengths)
  • Shoulder Pad / Shoulder Viewfinder / Top Handle
  • Studio Viewfinder
  • Fujinon MS-01 studio lens control kit

  The Blackmagic URSA Broadcast G2 4K UHD Digital Cinema Camera is the world’s most flexible camera for broadcast performance, acting as a 4K production camera, 4K studio camera, or 6K digital film camera. It’s ENG camera controls positioned around the camera, updated color science and YRGB color corrector, exceptional low light performance with gain from -12dB (100 ISO) up to +36dB (25,600 ISO), and configurability make it a perfect camera for your event.

• Blackmagic Design Studio Camera 4K Pro

  The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it’s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it’s easy to track and frame shots with its large 7″ viewfinder.

  • HDMI Out: Camera video output works in HD or Ultra HD
  • 12G-SDI Out: Camera video audio and talkback in HD or Ultra HD
  • 12G-SDI In: Program return video input, plus camera control
  • 10G Ethernet: Connect and power camera with a single cable
  • 12V DC: Power camera using a regular DC power adapter
  • Broadcast Power: Power using a broadcast power supply or battery
  • USB-C Expansion: USB-C ports for recording to disks or focus and zoom demands
  • XLR Audio In: Low noise audio inputs with phantom power
  • Compatible with BlackMagic ATEM Camera Control Panel
• Panasonic AJ-PX270 MicroP2 AVC-ULTRA Handheld Camcorders (1080p60)
  • 1080P59.94 max resolution
  • 1/3-type 2.2 megapixel 3MOS sensor with a 22x optical zoom and 28mm wide-angle lens for superb quality of image
  • Built-in AVC ULTRA recording that features AVC-Intra 200/500/50 and AVC-LongG50/25/12
  • Dual microP2 card slots for cost efficient microP2 cards & simultaneous recording capabilities
  • Network workflow connectivity with LAN connection as standard
  • High quality 10bit/4:2:2 recording video recording at 50Mbps or 25Mbps
• Panasonic AG-HPX170 P2HD Handheld Camcorder (1080/59.94i)
• Panasonic AW-HE50 (HDMI) PTZ Cameras (1080/59.94i)
• Panasonic AW-RP50 PTZ Controller

  Supports direct control or IP Network based control.